![]() The influence of these scenes on painters in northern Italy was to prove enormous and long lasting. È conservata nel Museo nazionale del Bargello a Firenze, nella stessa sala del più celebre David bronzeo, opera della piena maturità dell. Risale al 1408 - 1409, è in marmo bianco e misura 191 cm di altezza, con una base di 57,5 × 32 cm. To explore the beauty of Donatellos work in Florence. Lorenzo in Florence now his major bronze Paduan reliefs present an explosive conception of space with sketchy figures and a very excited continuous surface. Il David marmoreo di Donatello è una scultura a tutto tondo della fase giovanile del grande artista. the marble David (1408) and the bronze David (1430), the first delicate nude of the Renaissance. Donatello had earlier made remarkable experiments with illusionistic space in his large stucco medallions for the Old Sacristy of S. Anthony, smaller reliefs, and seven life-sized statues in bronze, including a seated Madonna and Child and a bronze Crucifixion. Antonio, decorated with four large narrative reliefs representing the life of St. Another major commission in Padua was the high altar of S. Donatello portrayed Gattamelata as the ideal man of the Renaissance. It was the first important sculptural repetition of the 2d-century equestrian statue of Marcus Aurelius in Rome. ![]() From 1443 to 1453 Donatello was in Padua, where he created the colossal bronze equestrian monument to the Venetian condottiere called Gattamelata in the Piazza del Santo.
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